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A Flirty, Flower-Filled Sapphic Romance for Spring

Opal Devlin’s life only got more complicated when she won the lottery. Unable to say no to the flood of people who showed up to ask her for money, she decides to remove herself from the situation. Opal finds her fresh start in the form of a failing flower farm in Asheville, North Carolina, which she buys with the intention of letting nature run its course while she starts a painting business.

But there’s a problem: a total knockout named Pepper Boden says she is the farm’s rightful owner, and she doesn’t intend to go anywhere. (Think: there’s only one bed, but make it a cozy cabin on a farm.) The two agree to try living together, and sparks fly in multiple sense of the word.

Mazey Eddings’s Late Bloomer is available April 16 wherever books are sold.

“I . . . I demand you tell me what’s happening.” Opal says, putting her hands on her softly curved hips and squaring her shoulders, standing her full height of what couldn’t be more than five foot two. I loom over her by a solid nine inches.

It’s a bit difficult to take Opal’s demand seriously, with her big scared eyes and messy hair and full, rosy cheeks. The woman is, unfortunately, rather cute. Which makes the massive upheaval she’s caused in my life all the more disarming. And annoying.

So very fucking annoying.

“Fine,” I say, slipping around her and trudging toward the porch. “You want to know what’s happening? I’ll tell you. Trish—the nice lady who sold you this place for a song?—she’s my mother. And a massive con artist. Tragically for me, this is apparently the one time she’s done something with the law on her side, which puts me in the super-fun position of being homeless. And I guess jobless since you want to turn this flower farm into some sort of shoe factory like a pink-haired Keebler elf. Does that paint a clear enough picture for you?” I turn on Opal, towering over her. I know I’m not supposed to shoot the messenger, but I’m certainly not above yelling at one.

Opal is silent for a moment, then swallows. “Don’t Keebler elves make cookies?” she whispers.

The anger that floods through me is hot enough to send this entire farm up in flames.

“Sorry. Sorry,” Opal rushes out. “I imagine now isn’t the right time for elf semantics.”

“How much did you pay for it?” I know—from endless studying of interactions between neurotypicals—that talking about money is rude. But I’m beyond forcing myself into social niceties when my entire world is falling apart.

Opal blinks those wide blue eyes. “I . . . uh . . . th-three. Three hundred. Thousand. Three hundred thousand dollars.”

That amount of money is so inconceivably large that I, not for the first time that evening, feel like I might collapse. My knees give out, and I plop down onto the top step of the porch.

“Let me get this straight,” I say through a rough throat. “You paid three hundred thousand dollars, in cash, for a flower farm on the verge of bankruptcy that you’ve never even set foot on before?”

“I . . . I paid with a check,” Opal whispers, like it makes any fucking difference to how absolutely bonkers the whole thing is.

What am I going to do?” I mumble to myself, voice cracking as overwhelming thoughts clog up my brain. “Like, seriously. If I lose this place, I have . . .” Nothing. If I lose the Thistle and Bloom, I have nothing. No purpose. No safe space. No shelter filled with the happiest moments of my life. I’d once again be a lost buoy in the endless ocean of life. Directionless. Untethered. Alone.

“Stay with me.” Opal’s words are loud. A bit startling. I’m coming to realize that everything about her is startling, though.

“What?” I say, turning to look at her.

Opal clears her throat, eyes fixed on my face. “Stay here with me. Or, uh, I stay with you. Or, um, I guess we stay together? In the cabin?” Opal’s hand flaps wildly toward the front door.

My mind goes blank. There is no way I can live with this strange woman with wild hair and an alarming amount of shoes who bought property off Facebook Marketplace without some sort of homicide situation.

“Inconceivable,” I eventually press out.

Opal giggles. Giggles. At a time like this? The woman is nothing but a compact, pink-haired monster.

“I’ve never heard someone say that word without doing the Princess Bride voice.” Opal giggles even harder. The homicide might come sooner than I anticipated. “But seriously,” Opal continues, trying and failing to gulp down her remaining laughs. “I think it’s the best solution to our problem.”

“Does it really solve anything?” I snap, looking at Opal, tracing the sincerity of her eyes, the kind softness to her dimpled smile.

She chews on the question, full lips puckering and a small furrow forming between her eyebrows. “I think . . .” she says slowly, carefully, “it solves enough for tonight. And tomorrow we can figure out the rest.”

I continue to stare at her, heart wary and exhausted, everything in me screaming that Opal can’t be trusted. No one can be trusted. Especially someone associated with Trish. But my oversaturated brain isn’t able to come up with any alternatives, and all I really want is to put on my softest pajamas, curl up under my quilts, and wake up tomorrow morning to find this was all an awful dream.

“Okay,” I say at last, standing up. “We’ll leave the rest for the morning.” I walk to the door, Opal’s boots clunking up the porch steps behind me. I hold open the screen door for her, but she hesitates.

“And, uh, just to like, confirm and stuff . . . you aren’t a serial killer or anything, right?”

My head jerks back. “Excuse me?”

“I’m not saying you give off that vibe,” Opal says, waving her hands frantically in front of her. “I just thought I should double-check. Since we’ll be like . . . in the same house and stuff. And like . . . I mean I guess I just don’t want to get . . . well. Murdered. Or anything.”

I scan this bizarre woman from the top of her head to the bottom of her cuffed jeans. Was she sent from my personal seventh circle of hell just to torture me here on earth?

“I’m not murdering anyone tonight,” I say with a sigh. “But now you have me super freaked out so I’ll be sleeping with my door locked and pepper spray close if it turns out you’re the actual murderer.”

“Let’s just agree on a mutual no-murder situation,” Opal says, stepping through the door and into the cabin’s warm kitchen. “See, another problem solved. We’re on a roll.”

“Right. I’m sure everything else we have to figure out will be as easily handled as agreeing not to kill each other.” I maneuver around Opal in the small kitchen, blowing out the candles on the table as I go.

“We’ll find a happy ending to all of this. Just you wait.”

Today has been filled with so many curveballs and upheavals, there’s one thing I know, beyond reasonable doubt, to be true: there is no happy ending that could ever, ever, come from this nightmare.


From LATE BLOOMER by Mazey Eddings. Copyright © 2024 by the author and reprinted with permission of St. Martin’s Publishing Group

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Rivals Become Lovers in a YA Romance About Music and Mexican Culture

The first time Rafie met—and made out with—Rey, he thought it would be the only time. Now, eight months after the Mariachi competition where Rafie led his school’s group to a victory over Rey’s, Rafie has transferred schools…and Rey is the group’s lead vocalist. And he’s still really cute. Should they compete or kiss? Por que no los dos?

A second-chance meet-cute becomes a rivals-to-lovers romance in this charming YA love letter to music, Mexican culture, and the magic of surprise.

Canto Contigo by Jonna Garza Villa will be available April 9th wherever books are sold.


I WANT TO GRAB THIS GUITAR by the neck and smash it on the floor. I want to throw it at the wall. To hear it crack and break. To scream and cry in this hospital hallway that’s way too quiet. And the only reason I don’t is because this piece of wood with little bits of metal and string is the only thing keeping me together. As long as I keep a hold on it, I’ll stay anchored, and I won’t break down. Probably. I can squeeze and focus on the pain in my fingers from how hard I’m gripping it. A small but good-enough distraction from how hurt my heart is right now.

“Mi’jo,” Amá whispers, squatting down in front of me. Her hand touches my cheek and all I want to do is lean into her palm. She stays completely still except for when her thumb moves to wipe a tear off my face and then to pick me up by my chin so she can see my sad red eyes. Her other hand holds a bottle of Mexican Coke and a taco wrapped in foil, waiting for me to take them.

My cousin Ángel falls into the chair next to me with three tacos of his own.

“Here. Toma,” Amá says.

“I don’t want anything,” I mutter back.

“It’s going to be a few hours until we get to San Antonio. You should eat.”

“I’m not hungry.”

She breathes in and lets out her annoyed huff, patting my leg a couple times before using it to help pick herself up. “You need to. I need to see you eat something. If not, there’s no way I’m letting you go to Extravaganza. ¿Quieres a ir, sí?”

“Sí.” The word comes out a lot less enthusiastically than usual, but I still mean it just as much. No, even more now. “I still wanna go. I have to.”

I can hear her bothered moan and look up to see her scrunched face, like she’s trying her best to hold in everything she wants to say so badly she might explode. “I— No, you don’t have to. Rafael, no one would blame you if you said you can’t. No one in your shoes would be able to right now. No one is expecting you to. They can get Mig—”

I’m going,” I snap, my voice filling the hallway. And I know it’s taking a lot for her to be this forgiving to me for yelling. On any other day, she’d tell me off in front of every single person in this hospital. But today isn’t just any other day.

This morning—the half an hour I got in a cold room with the sounds of Univision quietly coming from a TV and all the beeps of machines—was the last time I’ll ever see my abuelo alive. In the last few minutes I had with him, I told him I’d still go. I told him I’d bring him back a third first-place trophy. Another Best Vocalist award. I would come back and tell him all about how great we—I was on that stage. Just the thought of going back on any of those promises feels like I’m squeezing my own heart and lungs and guts. “I have to. For him.”

Amá stays standing in front of me, her eyes scrunched all seriously, silently arguing for me to listen to her for once. And mine are on her, saying there’s no one who could convince me to change my mind. Not even her.

She’ll try, though. I know she wants to. I know all the things she’s thinking. All the things she’s told me in the last twenty-four hours. That I’m not in a place to be focusing on performing and singing. That I should take some days to let myself be sad. That our whole heartbroken family—except for the three of us and Apá—is going to be here, and Alma would understand if I need to spend the weekend here too.

Ángel’s hand goes to the back of my neck, rubbing and squeezing, like he could feel me about to start crying again. I can’t. I don’t want Amá to see me do it. I don’t want my getting emotional leading to her being all, Why are you still going? Let’s just stay home.

I’ve got to push through it. If I have to force myself to stand up on that stage tomorrow in my Mariachi Alma de la Frontera charro, sing like all that’s in my heart is happiness and gratitude, and act like everything is okay, I’ll do it if it means another win at Extravaganza. I’ll do it because I’m an Álvarez and this is what we do. It’s in our blood. And I know she doesn’t doubt I can or that I will, but she’s always going to do her Amá thing and worry about my emotional state. Tell me over and over again that it’s okay if I sit this one out. How “the world won’t end.”

She’s right. It won’t. It already has.

So I don’t have any other choice besides to go and sing and pretend Abuelo’s in the front row of the Tobin Center auditorium, just like he was the two years before, and outshine everyone else there. For him. Because after he wasn’t able to play guitar anymore, after he wasn’t able to sing anymore, I could for him. I can for him still.

I can hold on to all the memories of when he was still able to hug me and pat my back and tell me how proud he is of me. Of him teaching me how to hold a guitarrón and carry a tune. And of every time I’ve strummed a guitar and sung something by Pedro Infante or Rocío Dúrcal, when he’d give me that look that told me how great I am. How I could see in his smile and in his eyes that, when today eventually came, I’d keep our family’s legacy going. I’d take it further. I could even make something of myself doing this.

What I can’t do is stop, especially not now. Not ever.

I told him I wouldn’t. I cried with my head resting on the back of his hand and promised him I would never stop. And I hoped so badly that he could hear me. That he heard me tell him I’m great because of him. Because of every minute he spent teaching me everything he knew, just like he taught my apá and tíos. And I hoped with everything I had that he heard me tell him I’m going to keep being the best, for him. Keep being perfect. Because he doesn’t deserve anything less. And because everyone who sees me perform should know that it’s all him.

So, I take the Coke and then the breakfast taco, unwrap the foil, and force myself to take a bite, chew, and swallow. Amá sighs as her hand grabs on to my shoulder. Ángel’s hand goes from my neck and reaches around my back, coming in for a side hug. I take a deep breath, forcing all the want to cry back down along with the flour tortilla and chorizo and potato.

I can do this. I can do this.

Para ti. Siempre.


From Canto Contigo by Jonny Garza Villa. Copyright © 2024 by the author, and reprinted with permission of St. Martin’s Publishing Group.

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15 YA Horror Stories in Which the Black Girl Survives

If you’ve read or watched even a little bit of horror, you’ve probably recognized that in far too many cases, Final Girl = white girl. Desiree S. Evans gives this harmful trope a long-overdue overhaul with The Black Girl Survives in This One, a new anthology of 15 YA stories that center Black girls as the heroes who beat the baddies, survive the horrors, and live to tell the tale.

Featuring stories by acclaimed writers like Zakiya Delilah Harris (The Other Black Girl), Monica Brashears (House of Cotton), Justina Ireland (Dread Nation) and an introduction from legendary horror writer Tananarive Due, The Black Girl Survives in This One celebrates voices that are challenging and changing what horror means. It’s available now wherever books and audiobooks are sold.

Here’s an excerpt of “The Brides of Devil’s Bayou” by Desiree S. Evans.


Aja dreams of broken girls. 

Girls like the one sitting at the edge of her bed tonight. This girl is smiling at Aja, but the girl’s teeth are all missing, leaving a mouth full of bleeding gums and gaping holes. Aja wants to speak to the girl, to ask her who she is, but she can’t make a sound. She can only watch as the girl crawls closer, as her toothless grin widens. 

Everything inside Aja is screaming to move, to run, to get away. With a count to three, she forces herself into motion, scrambling out of bed and tumbling onto the floor. When she looks up, she sees the girl moving toward her. This close, Aja notices how the girl’s face is a Halloween mask of bleeding scars and crusted wounds. 

Aja opens her mouth, finally able to screech, “No!” 

The girl reaches out a hand as if to help Aja up from the floor. “No,” Aja whimpers again. 

One!” the girl rasps out.

At that moment something grabs Aja from behind, and she screams until she blacks out. 

When Aja wakes, she remembers where she is. 

She sits up, gasping like she’s been underwater. It takes her a minute to relax enough to slow her breathing and to let her eyes adjust to the dark—she’s back home. Or what used to be home, a tiny shotgun house on the outskirts of Devil’s Bayou, Louisiana. It’s the first time Aja has been back since her daddy took her away when she was twelve. 

Aja throws off her blanket and looks around her old childhood bedroom. It feels weird not to be back in her freshman dorm room at Sycamore College in North Texas with her snoring roommate, Chelsea, and her Tweety Bird alarm clock. Aja shakes off the sense of wrongness that sits deep in her belly, the way she feels foreign even though she’s back in familiar territory. Homesickness long ago settled in her spirit, a constant feeling of missing a part of her past she can’t ever get back. 

Aja knows time doesn’t stand still. She’s no longer a child running through the swampy grove, chasing fireflies and mysteries. She’s eighteen now, an actual adult preparing to take on the world. Right? Yeah, right. Most days, Aja feels clumsy in her body, sloppy and unready for the tasks at hand. Like the task she now finds herself facing, having returned to Devil’s Bayou, the land of her mama’s kinfolk. 

Two days ago, Aja took her last final exam of the semester, and then convinced her best friend, Letricia Moseley, to fly to Louisiana with her for the weekend. She and Letricia had arrived at the house earlier that evening, after driving two hours from the airport through winding, rural backroads. The plan is to celebrate Aja’s nineteenth birthday in two days here in her old hometown, heeding the advice of Aja’s therapist from the campus health center: Go to the source of your fear and let it go. 

Aja still can’t believe it’s been seven years since her daddy had told her they were leaving this cursed bayou forever. They’d resettled out in Fort Worth, and he’d forbidden her to ever return. Told her that staying away was for her own good, that the town gossip and rumors wouldn’t follow her around anymore. But then the nightmares began a year ago, and the only thing Aja has been able to think about since is coming back to Devil’s Bayou. 

Aja checks the time on her cell phone: 11:15 p.m. She’d slept for three hours, which for her is a pretty good run, considering her insomnia. Glancing at her phone’s lit screen, she notices another missed call from her daddy. She swallows back her guilt. She hadn’t told him about this trip, knowing he’d be upset. In fact, she’d been ignoring his calls for the past three days, shooting off quick texts of I’m fine! and Exams are killing me! 

Aja climbs out of bed and winds her way through the dark house before stepping outside onto the porch. She takes in the wild expanse of her family’s land. The quarter moon sits huge and heavy in the sky beyond the bayou’s bend, and the trees in the yard—full of moonlight and shadows—cocoon the house on all sides. Aja can’t believe her ancestors had lived out here alone for generations. That Memaw Abbigail had died out here alone, too, nearly two years ago.

Needless to say, then, Aja is shocked when she turns to see the old woman seated in her favorite porch rocking chair, as if she’d been waiting for her. 

“I’m still dreaming, ain’t I?” Aja breathes out, the realization making her dizzy. 

Memaw Abbigail chuckles, rocking away. She looks much like she did the last time Aja had seen her seven years ago. Thin and regal, with light brown skin and a head full of kinky silver hair. Her face, even in old age, had always been soft with few lines, giving her an ageless appearance. 

“It come for you,” Memaw Abbigail says to Aja, her voice rough but familiar. 

“Memaw, stop with the ghost stories.” Aja sighs, exhausted by the old tales and superstitions, the very reasons her daddy had taken her away in the first place. She turns from her grandmother and gazes out at the tangled yard, at the blue glass bottles that dangle from the branches of the oak tree out front. Like the witch knots that hang from the porch ceiling, the bottles are meant to trap evil spirits that make it across the bayou. Memaw Abbigail’s old-time beliefs fill so many of Aja’s childhood memories of home. 

“Now that you a woman, that demon gonna come for you,” Memaw Abbigail says again, gazing out at the darkness. “Gonna make you its bride.” 

“I ain’t being no demon bride, Memaw!” Aja huffs, shaking her head. 

Even here in Aja’s dreams, her memaw is stubborn in her belief in their old family legend. Its origin story is one Aja heard throughout her childhood. Her ancestor, a young enslaved girl named Mosi, made a pact with a demon she’d summoned out in Devil’s Bayou. In exchange for freedom and safety, the girl had promised the demon five generations of her bloodline’s eldest daughters. 

Cara. Margaret. Anna. Catherine.” Aja whispers the names of the four young women in the family who had vanished into the swamp on their nineteenth birthdays. Never to be seen again. According to the story, Aja should be next, as the eldest daughter of the fifth generation descended from Mosi. Growing up, everyone in town would whisper about Aja’s inevitable fate, about how she was the last of the cursed girls, the final bride promised to the demon of Devil’s Bayou. 

This piece of family folklore used to scare Aja more than anything in the world, but her therapist had told her these stories were just a way her family had tried to make sense of the horrible things that had happened to them. 

“It’s how we try to understand tragedy,” Aja repeats aloud, into the quiet of her dream. “This swamp is full of natural dangers. Those girls either got hurt in the swamp, ran away, or killed themselves. No reason to blame a monster.” 

Wary of the family’s influence on her, Aja’s daddy even forbade her from attending her memaw’s funeral two years ago. Now all Aja has left of her memaw is the crumbling, empty house she’d inherited from her. And these dreams. 

Silence for a long time, and then Memaw Abbigail asks, “What do you dream about?” 

Aja chuckles softly. A dream asking about a dream—how fitting. Yet it’s true that all her dreams these days are like this one—murky, strange.

“What do you see?” her memaw continues. 

“You. This house,” Aja whispers, recalling her dreams of late. “Snakes swarming me.” Her dreams are often filled with slithering things creeping and crawling across her body in the nightmare dark. Two weeks ago she’d begun to see the broken girls, but tonight was the first time one actually spoke to her. 

“It’s calling to you.” Memaw Abbigail’s voice echoes in the night. Then: “Find the bone. Send it home.” 

Before Aja can even process her memaw’s last cryptic words, she sees a disturbance in the overgrown front yard. Something glistening in the moonlight, rising up from the tall grass. It takes Aja a moment to understand what she sees. 

A teenage girl silhouetted against the night sky. She climbs out of the ground, her white dress mud ravaged and bloody. Her dripping, tangled hair is plastered across her face. The girl has no eyes. 

Aja watches in horror as two long snakes slither out of the girl’s empty eye sockets, circling around her neck like a noose just before the girl collapses back to the ground. Down in the grass, the girl croaks out one wet, phlegmy word: “Two.” 

“Hell nah,” Aja says, backing away slowly. “You’re not real. I’m still dreaming.” She wills herself to believe this as the girl begins crawling forward through the grass, her eyeless face grinning, ghastly. 

Wakeupwakeupwakeup! Aja tells herself. 

From inside the house, the family’s old grandfather clock chimes five times. 

Aja wakes to predawn shadows crossing the empty porch and emptier yard. She knows the dream is over, but her memaw’s strange words linger. 

Find the bone. Send it home.


“THE BRIDES OF DEVIL’S BAYOU” EXCERPTED FROM THE BLACK GIRL SURVIVES IN THIS ONE. COPYRIGHT © 2024 BY DESIREE S. EVANS. EXCERPTED BY PERMISSION OF FLATIRON BOOKS, A DIVISION OF MACMILLAN PUBLISHERS. NO PART OF THIS EXCERPT MAY BE REPRODUCED OR REPRINTED WITHOUT PERMISSION IN WRITING FROM THE PUBLISHER.

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A Muslim Teen Finds Her Voice in Post-9/11 America: Read an Excerpt from HOPE ABLAZE by Sarah Mughal Rana

After Nida, a young Muslim woman whose uncle was wrongfully imprisoned during the war on terror, is illegally searched while attending a political rally, she writes a blazing poem that goes viral during the run-up to the presidential election. Then she learns that she has won a poetry contest, which she never entered, and her life is turned upside down. As if that’s not enough, she then loses her ability to write poetry!

As Nida navigates the pressure of her family’s expectations and the pains of racism and Islamophobia, she finds her true identity and the magic of self-expression.

Hope Ablaze is Sarah Mughal Rana’s debut novel, available February 27, wherever books are sold.


On my commute home from visiting Mamou, a massive crowd surged around Wirth Park for the evening political rally downtown. Police patrolled the perimeters assigns were pushed into the grass by the Democratic Party volunteers. I kept myself busy by swiping through my phone.

Amma messaged me, ranting how her client asked for a steep discount like every other customer. But we couldn’t comply when our landlord was pressing us for our late rent.

As I asked how the rest of the delivery went, my phone buzzed, the adhaan for Asr reminding me of the evening prayer. I hurried down the field toward the park. Cars swerved to a stop as a group of joggers cut across the street. My knees bounced to an R&B playlist humming through my earphones, my nose wrinkling at the scent of gasoline permeating the air.

On my right, hoopers were trading insults in a game of one-on-one. Their curses echoed through the quad alongside a stereo blaring Kendrick. As I passed, they rattled the fence before hooting and cheering, each friend gassing the other up.

In my distraction, my foot snagged on a yard sign, scuffing a poster of Mitchell Wilson.

There were dozens across the park. From what I recalled, Wil- son was a Democratic candidate in the upcoming Senate election, a war veteran of the Afghan invasion, and a liberal man who envisioned a better state that would reflect our changing values— or so claimed the evening news, according to Aunty Nadia.

The primaries of the US Senate election would determine which candidates would make the final ballot. Tonight was Mr. Wilson’s political rally.

Wilson seems like a decent enough man, Amma had once said. When I demanded why, she retorted, Jaanu, he took the time to visit our mosque more than once, he cares about the Muslim vote.

It would be my first time voting because my eighteenth birthday was in a matter of days.

My phone buzzed again with a second reminder to pray.

I gazed around. Police milled on the sidewalks, directing traffic on the blocked roads. At the far end of the park, the border of trees was bereft of people. After locating a spot, I laid out my silk pocket prayer mat from my bag. Every Muslim knew the ideal criteria to pray in public: in a park and under a tree. I pulled out my black abaya from my bag, buttoning it over my jeans before tightening my dark hijab. Then I raised my hands to begin the worship.

Suddenly, something gripped my shoulder, jerking me from prayer.

“Hands up. Hands up.

“What?” I turned but the hand shook my body. Roughly.

Two men loomed above my mat, their shadows swallowing me. My tongue went dry when I took in their jet-black uniforms and the walkie-talkies looped around their hips blaring ear-shattering static. Their eyes scoured the length of me, lingering on my hijab.

They were cops. “Hands up.”

My hands lifted. Slow and visible, like I was taught.

Nida, this shouldn’t be new to you. The morbid thought didn’t ease my panic.

“Do you see that?” snapped the cop on the left, his dark hair swept under his cap. “She has one of those. Check it.” He jabbed a finger at my scarf.

I flinched.

“Hands up higher,” he barked.“I won’t repeat it again.”

“Yes, sir,” I said automatically. That’s another rule that my uncle had taught me. There were many rules. Make sure your mouth is shut, my Mamou’s warning thudded in my chest. Make sure you obey.

His words weren’t just fusses and fears, they were cynical prophecy.

Don’t move, Nida. Do. Not. Move.

The cop on the right suddenly tugged on my hijab. “We need to search you.”

“Search me?” “Yes, for security.”

My hands began shaking hard. The full reality of what was about to happen hit me at once.“Sir, but why?”

“Stay still!”

My lips opened, different words somersaulting over and over in my head. If I don’t say anything, they’ll remove my hijab.

“She could be hiding anything in there. Remember, we can’t take risks with Wilson’s rally,” his colleague said before pulling a walkie from his belt. “There could be others.” His gaze locked with mine.“Who else is with you?”

“No one!”

But he was already gazing around as if hunting for another hijabi. “No acquaintance? Collaborator? We had a security alert of a threat. And then we found you here.”

Collaborator?

At my hesitation, he nodded at his colleague before nudging my backpack.“Search it all.”

If I was hiding anything dangerous under a flimsy piece of cotton on my head, then what was I hiding under my shirt? Inside my pants? My socks? What about the rest of the visitors of the park playing behind me? What were they hiding?

Why was I singled out?

It didn’t matter that I was on public property outside the vicinity of the political rally that was scheduled to be held in several hours. I’d learned since Mamou’s arrest that the little details never mattered when it came to people like us.

One of their hands grasped my hijab and my desperation kicked in and I tried to keep my tone calm. “Sir, please, I could show my ID, and proof of my residence. I only came here to pray. I have to go back home.”

But the cops barely registered my words.

He yanked my hijab, unraveling the material—unraveling my dignity. Now I only wore a white headcap. I felt bare naked. Violated.

It was the equivalent to the cops forcing me to undress. I’d spent years covering my hair, only for the authorities to treat the decision like it was nothing.

“Please.” My voice caught.“I came to pray, on God I swear.”

His eyes were cold and a fathomless black. His feet were rooted to the ground. Nothing I said could’ve moved him.

Amma might’ve told me to comply, to forget Mamou, and oaths, and Ameens, but I had rights.“Please,” I tried one last time. “Not in front of everyone.”

He cocked his head.“Why wear it? You’re in America now.”

In any other circumstance, I’d have scoffed, As if I wasn’t born in this country, but at the moment, all I could think of was my exposed hair. My hands reached to cover tendrils of it. It was an instinct; I moved before my brain caught on to the action.

The officer’s hands shot out, wrenching my arms down, painfully.

“Elijah, what’s the delay?” a new voice interrupted from behind the cop.

It belonged to a man flanked by two security personnel. My jaw dropped. It was the same man I’d seen in those blue posters. Mitchell Wilson, the Democratic candidate. He was tall like my uncle, with a protruding gut, dressed in a checkered suit as charmingly gray as his hair, and a snug blue tie. If I were younger and asked to draw what an American politician looked like, it would be him.

My heart still raced, palms clammy, but I was less afraid. See- ing him brought me an awkward sort of relief. Didn’t Amma say he’d visited our mosque?

“Who’s this young girl?” Mr. Wilson’s sharp gaze assessed the situation, the cops poised above me. He appeared almost disinterested.

“A suspect who isn’t complying with security standards. We had an alert. Then we found her,” the cop in front of me reassured him.

If I wasn’t paralyzed by fear, I would’ve laughed. Security standards? I was a high school student. But my bravado dissipated as quickly as the wind.

Mr. Wilson’s brows pinched together as he studied my black abaya and hijab. His frown deepened.“That burka, it’s like she’s a bank robber,” he murmured to himself.

It took a moment for me to register his comment. I gaped at him. To make sure I wasn’t imagining this.

“Exactly, sir. She was making her way to the rally with her flag, sir.”

“Flag?” I shrieked.“What flag? This is my prayer mat!” But it was like I wasn’t there. One of the cops kicked the mat forward, his heel dragging it on the dirt, before tossing my scarf down as if they were weapons.

“There’s been a misunderstanding. That’s my hijab and mat!” Mr. Wilson waved his hand dismissively.“Oh, you poor thing.

I find it unacceptable that someone is wearing this burka in a country of human rights. This is a place of values, not a place to promote barbarism. There’s no need for your father to force you to wear it, you can come out of it now.” His words were calm, like he knew better, making it feel worse. He nodded at the cop. “I’ll meet you back at the rally, Elijah. Thank you for your work.”

His security personnel nudged him forward toward the rally’s setup. Mr. Wilson was nonchalant, with that grin of his, that confident tone, as if he hadn’t just shattered a girl’s worldview.

“I can’t stand Muslims,” his security guard remarked, and Mr.

Wilson casually smiled. My body was numb. What just happened?


From Hope Ablaze by Sarah Mughal Rana. Copyright © 2024 by the author and reprinted by permission of St. Martin’s Publishing Group.

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An Affair, a Secret Child, and a Houseguest Who Makes it Weird: Read an Excerpt of THE GUEST by B.A. Paris

The premise of B. A. Paris’s The Guest is one to which many of us can relate: an unwanted houseguest overstays her welcome. In this excerpt from chapter 15, Laure, who’s walked out on her husband, Pierre, over his confession of an affair and a secret child, has worn out her welcome in the home of Iris and Gabriel. And her presence (she’s been wearing Iris’s clothes, and sleeping in Iris’s and Gabriel’s bed) has become increasingly suffocating for Iris, in particular…

The Guest is available now wherever books are sold.


Iris paused at the gate to catch her breath and stretch her calf muscles. For the first time, Laure hadn’t wanted to go with her on her run and it was amazing how free she’d felt as she’d run through the dappled shade of the woods.

Her first emotion on waking that morning had been one of relief. Laure was leaving on Saturday, which meant there were only two more days to get through before she got her life back. She’d immediately hated herself for being uncharitable. But the truth was, Laure was harder work than she’d thought.

She moved toward the house, bracing herself. But there was no sign of Laure hovering in the hall, or running down the stairs to meet her. Maybe she hadn’t heard her come in. Iris kicked off her trainers, peeled off her socks and tiptoed to the kitchen, desperate for a drink. She pulled the drawer to the right of the dishwasher open and reached for a glass. Her hand came to a stop in mid-air. There were no mugs or glasses, just packets of pasta and rice and other foodstuffs.

Frowning, she walked to the other side of the kitchen, to the row of cupboards near the cooker, where those foodstuffs should have been.

She opened the doors one by one and found not just glasses, but mugs, plates, bowls and other small dishes, all removed from the drawers near the dishwasher and rehomed into the cupboards.

“You’re back!”

Iris whipped around. Laure was standing in the doorway. “You rearranged the kitchen,” she said, unable to keep the accusing tone from her voice. But Laure seemed oblivious and nodded happily.

“Yes. I thought it was funny that you would keep cups and plates in a drawer. You never did before.”

“No, not until I realized that it was more practical to empty the dishwasher straight into the drawers next to it instead of having to cross over to the other side of the kitchen,” Iris said curtly. “Same with the food; near the cooker is more logical.”

“Oh.” Laure looked crestfallen. “Do you want me to put it back to how it was before?”

“Yes, please.”

“Okay. It’s just that I’ve made a decision about Paris.”

Iris put a smile on her face. That morning, she’d reminded Laure to book her Eurostar ticket.

“Great. Let’s go and sit in the garden and you can tell me about it.”

The terrace was almost too hot for Iris’s bare feet. She hopped over it quickly, jumped onto the grass and headed for the swing seat, Laure following behind.

“So, which train are you getting?” Iris asked, once they were settled.

Laure turned earnestly toward her. “I’m not. I’ve decided not to go to Paris this weekend. I’m not ready. Pierre hasn’t had the decency to phone, he’s only ever communicated by message. I asked him this morning if he’d come to a decision about his daughter and he said he hadn’t. So what’s the point of me going?”

“To talk,” Iris said desperately. “The two of you need to talk.” “Not until he comes to a decision,” Laure said stubbornly. “He knows where I stand, we’ve been messaging about it. It’s either me or his daughter. If Pierre chooses to be part of his daughter’s life, I won’t be in his. It’s as simple as that.”

Iris took a breath. “What about your job? Can you take more time off?”

“No, it’s not easy in the advertising industry at the moment. I spoke to my boss and he said they can’t carry me indefinitely. I don’t have any more holiday to take, and they don’t want me to take unpaid leave.”

“Then what are you going to do?” “I’ve already done it. I resigned.”

“Oh, wow. Right.” Iris reached up, took the elastic from her hair, then shook it out, trying to find something to say that wouldn’t sound like a criticism, because she couldn’t believe that Laure had given up the well-paid job which she’d always enjoyed, especially in the current economic climate. But she couldn’t find anything.

Laure reached over and placed her hand on her arm. “Don’t worry, I have savings, I won’t be a burden on you and Gabriel.” Iris did a double take, alarm shooting through her body. Laure intended on staying longer? “That is all right, isn’t it?” Laure continued.

Once again, Iris found herself searching for something to say. “I thought you’d be going to see your mum. She must be worried about you.”

“She’s not. She said she’s sure Pierre and I would work it out and that all couples go through bad patches.”

“Did you tell her Pierre has a child?”

“No. I’d only get an ‘I told you so’ lecture. She’s always said I’d regret giving up my chance to have children, pointing out that Pierre could have one anytime if he changed his mind.” She gave a bitter laugh. “She was right.”

“Have you told Pierre you’re not going back this weekend?” “Yes.”

“What did he say?”

“I think he was shocked, which was good. He asked when he would see me and I said I didn’t know. It was good to have the upper hand for once.”

Iris gave her a quick smile. “Do you mind if I jump in the shower?

I feel really sweaty after that run. We can talk again after.”

“Of course, go ahead. I’ll still be here when you come back.”

Iris walked quickly to the house, blinking back sudden tears. It’s okay, she told herself. It’s going to be okay.

In the bathroom, she turned on the shower, stripped off her clothes and let the water cascade onto her, needing to obliterate all thought, just for a few seconds. Her emotions were all over the place. Laure needed to go back to Paris. For three weeks now, apart from two days away, she’d barely had more than fifteen minutes to herself. She didn’t know if Laure had become needy because of what had happened with Pierre, or if she had always been needy, and the thought of Laure staying even a week longer was overwhelming.

She finished her shower and wrapped herself in a towel. In the bedroom, she dressed quickly in clean shorts and a T-shirt, and opened the bedroom door. Laure was hovering on the landing.

“I was going to make a smoothie,” she said. “Would you like one?” “I’ll make it and bring it to you in the garden, if you like,” Iris offered.

But Laure was already heading to the kitchen. “What shall we make for dinner tonight?” she called over her shoulder. “We can make a start on it.”

Her mood dipping further, Iris followed her downstairs and while Laure made smoothies, she began preparing dinner. By the time she heard Gabriel coming in from the garden, she was more than ready for him to take over. Laure, perched on the countertop while Iris peeled and sliced, hadn’t stopped asking what she would do in her situation. But whatever she said, Laure would challenge it, not because she was being argumentative but because she was challenging everything to do with Pierre, even her own thoughts, one minute hating him, the next loving him. She might have felt that she’d taken back some control of her life in resigning from her job, but to Iris, Laure seemed just as lost as ever.

“Gabriel’s here,” she said, hoping to stop the constant flow of agonizing.

“Oh good.” Laure slid elegantly from the countertop. “Maybe he’ll be able to tell me what to do. Sometimes I think he knows Pierre better than I do.”

Not anymore, Iris wanted to say.

Gabriel came in and looked at Iris over Laure’s shoulder—How has she been? Too late, Iris realized she should have gone to find him in the garden and warn him that Laure had decided not to go back to Paris. All she could do was give him a quick smile.

“You look better,” he said to Laure. “I have some news,” she announced.

Gabriel leaned back against the countertop. “Oh?” “I’ve handed in my notice.”

Iris, watching Gabriel carefully, saw him smother his surprise. “Right,” he said. “Great.” There was a pause. “So, what are your plans?” “I don’t really have any for the moment.” She looked at him, her eyes wide. “It is all right, isn’t it, me staying here a bit longer?”

“Yes, sure. Of course.” He ran a hand through his hair. “I need a drink. To celebrate,” he added hastily.

Iris threw him a murderous look. “In that case, let’s have champagne. I’ll get it.”

Gabriel caught her eye—I’m sorry.

“Here.” Iris smiled as she handed the bottle to Gabriel. “I’ll let you open it.”

Gabriel twisted the wire from around the cork and eased it from the bottle. There was an explosive pop, followed by a splintering sound, and three pairs of eyes swivelled to the large silver-edged mirror that hung on the wall above the fireplace.

“Damn,” Gabriel said, staring at the huge fissure running down the length of it.

Laure pressed a hand to her heart. “I’ve never seen that happen before.”

Iris stared at their reflections, Gabriel and Laure on one side of the crack, her on the other, like a photo torn down the middle. She gave a nervous laugh. “I hope it doesn’t mean we’ll have seven years’ bad luck.”

“I’m sorry.”

“Don’t be silly, it was an accident. I didn’t like that mirror much anyway.” Iris swooped to pick up a glass and handed it to Gabriel. “Come on, let’s drink.”

Except that nobody seemed to know what to drink to. Instead, they clinked their glasses together and smiled bright smiles.


From THE GUEST by B.A. Paris. Copyright © 2024 by the author and reprinted by permission of St. Martin’s Publishing Group.

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Is Imagination the Cause and Solution to All of Life’s Problems?

The following is an excerpt from Imagination: A Manifesto by Ruha Benjamin.

Drawing on the argument that all of the most profound mechanisms of human suffering and oppression—racism, sexism, classism, etc.—are products of human imagination, Benjamin, a sociologist and professor of African American Studies at Princeton University, issues a call for us “to take imagination seriously as a site of struggle and a place of possibility for reshaping the future.” What if the things we dream of actually are possible, and our imaginations are the key to liberation?


Cutting School

Once a week in fifth grade, I cut school. Or so it seemed. On Fridays, I jumped out of bed and threw on the clothes I had laid out the night before, then raced to the kitchen to pour a big bowl of Cheerios. Cereal devoured, I huffed and puffed, waiting for my mom to get my little brother, Jamal, ready and then open the front door, so I could race up the block to South Conway Elementary School.

Arriving just as the 8:00 a.m. bell rang, I didn’t scurry in after the other kids, their backpacks bouncing up and down in the crowded halls. Instead, I boarded a bus waiting just under the flagpole and, together with a handful of other students, almost all of whom were white, headed to a portable classroom trailer at the back of the nearby middle school.

There we entered another world—­no ringing bells telling us to move to another class, no sitting at desks lined up in rows, no stuffing ourselves with information to be regurgitated on tests. We cut school. Or so I thought.

I spent what I considered “Freedom Fridays” in the Pelican Program for students who, I would only later learn, were labeled “gifted and talented.” At the time, it seemed to me that adults had decided I could have fun once a week. Or perhaps they just wanted us out of their hair. This was, after all, fifth grade. I was the troublesome kid who got up in the middle of class to shush students making noise in the hallway, to the chagrin of the actual teacher.

The coolest part of cutting school was that my best friends, Qima and Mary, were in the Pelican Program too. We were the only Black students selected from our majority white school, where Black children made up about 30 percent. Everything else from those days is a blur. All I remember was the three of us floating together in a bubble of Black Girl Magic before it was a hashtag. We danced and sang and created poems and plays. Freedom Fridays were full of expressiveness, friendship, and play.

The scholar Imani Perry gives voice to what such mental freedom has meant for us: “Imagination has always been our gift. That is what makes formulations like ‘Black people are naturally good at dancing’ so offensive. Years of discipline that turn into improvisation, a mastery of grammar and an idea that turns into a movement that hadn’t been precisely like that before—­that is imagination, not instinct.”

Pelican was a weekly retreat from the usual strictures of schooling—­worksheets, homework, and tests were replaced by music, movement, and make-­believe. But who decided we could steal away? And from what were we escaping?

Visiting its website, I learned that there are three pathways into the Pelican program—­aptitude, achievement, and performance: “The State of South Carolina and the District declares by evaluation and eligibility standards that the gifted child has academic needs that must be met in a differentiated environment.” This begs the question: Who thrives in an undifferentiated environment?

“The mission of gifted education is to maximize the potential of gifted and talented students by providing programs and services that match the unique characteristics and needs of these students.” So, then, is the mission of standard education to minimize or hold at bay the potential of most students?

Yes, I think that is precisely what it does, especially if we consider the eugenicist roots of testing and ranking. In the 1920s the College Board commissioned psychologist and eugenicist Carl C. Brigham to develop the Scholastic Aptitude Test (SAT). Brigham, a Princeton alumnus who had recently authored A Study of American Intelligence (1923), hailed the superiority of the “Nordic race group” and warned that with the “promiscuous intermingling” of new immigrants, the education system was declining at “an accelerating rate as the racial mixture becomes more and more extensive.” Standardized testing has always been predicated on a racist, classist, sexist, and ableist standard.

A world that relies on social inequality to keep its machinery running can only afford for a handful of people to imagine themselves “gifted.” Gifted = destined leaders and bosses, visionaries and innovators who have the time and resources to design the future while the masses are trained to sit still, raise their hands, and take instruction.

Doesn’t the unbearable hubris and entitlement of many of society’s “leaders,” whether in industry or politics or even do-­gooding professions, stem from us being told all our lives that we are “special”? Or more precisely, of us being made special and treated by the law and culture as the chosen ones?

Meanwhile, the majority of “normals” (to borrow a term from the sci-­fi film Gattaca) are expected to take orders, complete tasks, stand in line, clock in and out . . . punctually, obediently, subserviently. No dancing in the halls, and certainly no daydreaming about a world put together differently.

Mary, Qima, and I were “gifted” alright . . . gifted time and space to imagine differently. Not because we were different but because we were given a chance to be different.

The fact is, “exceptional Negroes” have always been a staple of an apartheid-­like educational system that separates the “gifted” from the “normal,” and both from the “naughty” or “underachieving.” Sticks and stones will only break my bones, but words can lift or crush me. For some, the existence of “exceptional Negroes” suggests that the system is not racist. But doesn’t such tokenistic inclusion—­in which a few individuals are given provisional membership into an otherwise exclusive club—­maintain the status quo by making it seem more accessible than it really is?

Without a handful of Black and Brown unicorns in honors classes and gifted programs, we might see more clearly the broader patterns of exclusion. We might realize that school tracking perpetuates intraschool segregation, that even when schools are racially diverse, even when they are in the suburban “promised land,” they often remain deeply unequal. Indeed, the flip side of hoarding gifted, honors, and Advanced Placement classrooms for predominantly white students is the funneling of Black students into special education and remedial programs, what education researchers describe as de facto racial segregation.

One activity at Pelican that I remember vividly required us to invent new uses for ordinary objects like scissors, rubber bands, and erasers. Years later, I heard a talk by noted educator Sir Ken ­Robinson in which he described a study about how researchers measure genius-­level “divergent” thinking by assessing students’ ability to come up with lots of possible ways of interpreting and answering questions.

In the study, 1,500 kindergarteners were asked questions like “How many uses can you think of for a paper clip?” At that young age, 98 percent of the children scored at “genius level” for divergent thinking. But over the next ten years, this capacity was schooled out of them. “We all have this capacity,” insisted Robinson, but “it mostly deteriorates.” Yet “deteriorates” makes it seem like a natural process of decay, when really it is a concerted, organized process of squashing an otherwise widespread capacity to think, know, and imagine. As writer and activist adrienne maree brown reminds us, “We are in an imagination battle.”

The irony, of course, is that the very place where inventive thinking could be—­some would say should be—­cultivated is where it gets snuffed out. Except, of course, for the lucky few who get pulled out of school and given an opportunity to diverge, experiment, and make mistakes.

Otherwise, if you let your imagination run free, you’re likely to get into trouble. In 2013, sixteen-­year-­old Black teenager Kiera Wilmot did a science experiment mixing toilet bowl cleaner and aluminum foil in a water bottle. It caused a small explosion on school grounds, and she was automatically expelled. The Florida assistant state attorney charged her with two felonies filed in adult court. The charges were eventually dropped as part of a diversion program that allows people facing criminal conviction to meet certain service requirements instead.

However, rather than being allowed back into her honors classes, Kiera had to finish her junior year at an alternative high school—­a euphemism, in this case, for a school for “bad” kids. There, Kiera felt intellectually uninspired. As she shared with the American Civil Liberties Union (ACLU): “I’m not getting the challenge that I used to have. I don’t have homework. There is no German class, and there is no orchestra.” It is doubtful Kiera would have been treated with such contempt were she not Black, and because of the zero-tolerance disciplinary policies that uphold rigid rules and end up alienating and pushing out many young people.

The outsized response to Kiera’s science experiment explosion was also fueled by anti-terrorism fervor in the wake of 9/11 and the Boston marathon bombing—­her project came just eight days after the latter. Another outcome of these events was an increase in anti-­Muslim hatred, which has not waned. According to a 2016 Gallup poll, 38 percent of respondents backed “a new law that would prevent any Muslim from entering the U.S.” and 32 percent supported a “special ID” for Muslims, including those who are American citizens. These alarming statistics reflect a long-­standing racial imagination that infects social life and periodically erupts into the headlines, as it did in the case of Texas teenager Ahmed Mohamed.

In 2015, Ahmed was interrogated, suspended, and fingerprinted for constructing a clock inside his pencil case. He used a small circuit board, power supply, and digital display, inventively transforming the case. Dismayingly, his teacher and principal suspected the clock of being a bomb. Through the distorting fun-­house mirrors of white supremacy and anti-­Muslim hatred, he was deemed guilty instead of gifted, threatening instead of talented.

Kiera and Ahmed would eventually meet at the White House at an Astronomy Night, hosted by President Barack Obama. Yet Kiera’s invitation wasn’t extended until after online commentary circulated suggesting she should be bestowed the same honor as Ahmed. As Kiera shared, the White House had invited her not so much because of her science project but because of what she called “the arrest and all the hardships. I am a woman of color who was pushed out of school.” These hardships reveal that Kiera’s path to a White House visit is not the Cinderella story promised to many via the gifted and talented route. Kiera shared at a press conference during her visit to Washington, DC, “To this day, I still get people who harass me about it and call me a terrorist.” And she was haunted by a felony arrest, which she was told would take five years to clear from her record.

Unicorn status is a fickle prize that can be revoked as quickly as it is bestowed. Instead of rallying around individual exceptionalism, we need to see the bigger picture and imagine new systems of education that cultivate everyone’s creativity and curiosity. So what is there to do?

The most effective means to refute the prevailing ideologies is to do so collectively—­crafting new stories, images, ways of interacting, and investments in those who have been denigrated and discarded. To think about the collective also means being okay with less focus on exceptionalism and instead giving all students opportunities to stretch their imaginations.

I wrote this book for all the Kieras and Ahmeds of the world, and all those who cross their paths. It is for organizers and artists, students and educators, parents and professors, realists and romantics who are ready to take Toni Morrison’s instruction to heart: Dream a little before you think.

In these pages, I weave together a lifetime of observations about the centrality of imagination in all our lives; lively engagements with people from many different fields who have ruminated on the power of imagination; promiscuous encounters with pop culture and social media where collective imagination is woven and warped; and practical guidance on how we can exercise our imaginations.

I draw upon over a decade of teaching that aims to build students’ powers of speculation with projects that involve imagining tools, toolkits, and worlds that break with current social hierarchies. In the process, we will confront the little voice in our head whose job it has been to police our own imaginations: A world without prisons? Ridiculous. Schools that foster the genius of every child? Impossible. Work that doesn’t grind us to the bone? Naive. A society where everyone has food, shelter, love? In your dreams. Exactly.

We need to give the voice of the cynical, skeptical grouch that patrols the borders of our imagination a rest. After all, “Dangerous limits have been placed on the very possibility of imagining alternatives,” insists scholar and activist Angela Y. Davis. “These ideological limits have to be contested. We have to begin to think in different ways. Our future is at stake.” Imagination is a field of struggle, not an ephemeral afterthought that we have the luxury to dismiss or romanticize.

Imagination: A Manifesto is a proposal for exorcising our mental and social structures from the tyranny of dominant imaginaries. It is a field guide for seeding an imagination grounded in solidarity, in which our underlying interdependence as a species and with the rest of the planet is reflected back at us in our institutions and social relationships.

Look around: humanity is in the eye of multiple storms. Will we continue shutting off the power of the masses so that a minority of people can stay warm, or will we build the necessary infrastructure so that everyone can thrive? Like author Arundhati Roy, I believe “another world is not only possible, she is on her way. . . . On a quiet day, if I listen very carefully, I can hear her breathing.”


Excerpted from Imagination: A Manifesto. Copyright (c) 2024 by Ruha Benjamin. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.

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We’re Getting a Glow-Up

Since 2011, it’s been our goal at Book Riot to bring you coverage of books and reading that is as diverse as books and readers are and to evolve alongside our community.

Readers who have been around for a while have seen this newsletter through several evolutions, and we’re excited to share our latest glow-up. Starting Monday, October 2, this email will be called Best of Book Riot, and it will come to you through Substack.

As readers, you won’t need to do anything. We’ll move everyone over to Substack, and our emails will still land in your inbox just like always. The exciting part is that the move allows us to give these daily emails a more personal touch. Each day’s featured stories will be chosen by a Book Riot editor, and you won’t just get links to the web. We’ll be able to include highlights from our podcasts, newsletters, and more! Variety is the spice.

The newsletter will remain free, though we may expand to offer paid bonus content and community features in the future.

Thank you for reading the Riot Rundown. We’ll see you next week in our new form!

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TBR Spring Merch

Everything’s coming up bookish! Spring into a new season of reading with the first ever TBR totes and tees.

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Give the Gift of TBR

Beat the algorithm by giving your favorite book lovers the gift of hand-picked recommendations tailored specifically to their taste! TBR gifts can be scheduled for any day you like, so order now before they sell out.

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TBR Hardcover Price Increase

As you’ve no doubt heard, the ongoing pandemic has resulted in significant supply chain issues and increased costs for shipping and materials. The publishing industry has been no exception, and we’ve felt the impact firsthand here at TBR. Additionally, the USPS recently raised media mail rates by more than 10%.

To accommodate these changes and allow us to continue providing you with excellent personalized book mail, your TBR subscription rate will be increasing by $2.50 per quarter ($10/year for annual subscribers) beginning December 1. This change will take effect at your next billing cycle.

Thank you for your patience and understanding, and thank you for rocking with TBR.

Read on!