Category: Read This Book

To say this is satire about a racial awakening is an understatement. It’s utterly hilarious and also I pretty much cringed the entire time I read it. Our main character is Ingrid Yang, a Taiwanese American woman in her eighth year of her PhD and she still has no idea what her thesis even is. She has been researching the renowned Chinese American poet Xiao-Wen Chao but it’s hard to write anything about him that hasn’t been completely researched into the ground. He was faculty at Barnes University (where Ingrid is) and was a big deal. A large part of the reason she’s doing this PhD is because there is a professorial chair that is about to open up; so she can get a cozy faculty position as the next expert on Xiao-Wen Chao, yet she has no idea what the heck she is going to do her dissertation on.

The East Asian Studies department that Ingrid is in has very few Asian people and many, many white people. Her advisor, Michael, is a white man who has gone all-in on Chinese culture and doubles-down in his orientalism time and time again. Ingrid’s fiance, Stephen Greene, is a white man who has taught himself Japanese (doesn’t actually speak it) but has made himself into a literature translator.

They frequently explain Chinese culture to Ingrid repeatedly and really terribly because she is Taiwanese and they just lump her in with Chinese culture like it’s all the same. If you haven’t caught on, there are massive amounts of anti-Asian racism in this book and lots of the particularly insidious type where it’s people pretending to have a respect for a culture when they are actually fetishizing it. Ingrid herself has very firm ideas of the “right way” a woman should be, especially an Asian American woman, and the “wrong way.”

This book is full of some amazing characters. Through it, Ingrid awakens to her complicity in her own subjugation and the white supremacist trash fire that is academia. Highly recommend it!

Becky Farwell is a small town Illinois girl with a talent for math. As she comes of age in the late 1970s and early 1980s, she often feels alone and out of step with her peers, and obligated to stay close to home to take care of her widowed father. With college being out of reach, Becky gets an entry level position in her town’s finance department. One day, through sheer chance, she spots a painting in a gallery and falls in love with it. It costs $500. When an error in accounting at work puts a $500 check that no one would miss in Becky’s hands, she makes a decision that will change the course of her life.

I picked this book up thinking it would be a crime/thriller, but while it does detail the life and (many, many) nonviolent crimes of Rebecca Farwell, this novel is more literary than mystery. The reader follows Becky through more than three decades of her life, detailing her rough childhood, her discovery of art, her talent for accounting, and her knack for deception. It’s not long before Becky Farwell has transformed herself into Reba Farwell, art collection and connoisseur, with a collection worth millions. Living a double life is as much of a strain on Becky as it thrilling, and that thrill gives her a reason to get out of bed each day. The lengths she goes to in order to keep her secrets has the reader on the edge, wondering how long it can possibly go on and what, if anything, could ever bring her down. Becky is a criminal, there’s no doubt about it, but the way the author writes her made me genuinely have sympathy for her and worry about how deep of a hole she was digging herself in. Don’t expect any major revelations or thrilling twists, but if you want a deep and fascinating dive into the interior life of a woman who manages to lead two very different lives and keep some shocking secrets, this is it.

Bonus: If you liked More Than You’ll Ever Know by Katie Gutierrez, then you’ll probably enjoy this one!

Joshua Whitehead’s most famous book to date is Jonny Appleseed, a novel featuring a Two-Spirit/Indigiqueer main character navigating the world. Now he’s back with a collective of essays. Throughout the collection, Whitehead reexamines storytelling from a perspective of decolonizing the way we tell stories. What does that mean for him, an Indigenous storyteller? How does Western thought confine his storytelling?

Many of Whitehead’s essays present queer love as he’s experienced it. It’s an intimate portrayal of the emotional complexity of living and loving as an Indigenous person in a society informed by colonialism. Told in beautiful prose, his essays feel as if you are going on this journey with him, working through his thought process as he struggles to find himself and his story in everyday narratives.

I love a good essay collection. There’s nothing like sitting down with a short piece of nonfiction, examining ideas or learning about different moments in history. Whitehead’s writing can be challenging in the best way, asking readers to reexamine ideas around literature and what it can do. There’s something special about the way Whitehead discusses storytelling, especially the way he examines how his personal experience informs his writing.

There’s one essay where he discusses the use of video games and how it connects with Indigenous people working through their experiences with generational trauma. It reminded me of one of Elissa Washuta’s essays in her collection White Magic, where she examines the game Oregon Trail and its connection with colonialism and Indigenous histories. Like Washuta, Whitehead possesses the ability to take vastly different topics and ideas and successfully tie them together all in one essay. It’s a brilliant thing to behold.

If you would like to check out Indigenous Reading Circle’s other suggestions, head over to their Instagram or their Patreon.

This was absolutely one of the best books I read the year it came out. I’m going to be weirdly vague about this book because it is full of surprises and I don’t want to ruin the joy of reading it therefore, I’m just going to tell you some snippets about some of the characters and the location.

It takes place in the San Gabriel Valley in Southern California which is truly a magical place once you get past the surface and the author catches all the nuance of the eclectic yet weirdly harmonious vibe of many of the locations down there.

There is a donut shop with a huge frickin’ donut on top of it. It’s a Los Angeles / Southern California thing. If you know, you know: Giant. Donut. The head of the family that owns the shop is Lan Tran. The family is actually aliens, like, from space, who have escaped a big bad across the galaxy.

We also have Katrina Nguyen, a transgender teen who runs away from an abusive home in the San Francisco Bay Area and ends up in the San Gabriel Valley. She has very little to her name, some clothes, some estrogen, a beat-up made-in-China violin, and does sex work both via webcam and in person to make money to survive.

Finally we have Shizuka Satomi, a woman who had made a deal with the devil for some fame. She played the violin. Now, to escape damnation, she needs to take on seven violin students and deliver their souls to Hell. As of the start of this book, she has already delivered six and of course, they can’t just be any old self-taught violinist. She travels the world looking for the final student, the final soul.

Yes, music is the main theme of this book and the story hits all the right notes. There’s an adorable, awkward queer crush/dating type thing going on. There’s a young trans teen finding her voice and finding family. There’s wonderful descriptions of food. There is also a chapter that I’m borderline obsessed with where it’s just a description of violin repair.

If you have not yet read this book I am incredibly jealous because I wish I could read it again for the first time. Content warnings for racism, specifically anti-Asian racism, transphobia, discussion of suicide, sexism, sexual assault, and abuse.

Julia Wychwood is one of the wealthiest eligible young ladies in London, but unfortunately for her, she has an anxiety disorder that makes attending balls difficult and her parents are hypochondriacs who submit her to all sorts of horrid treatments when they’re not trying to marry her off to someone who will appease their whims of sickness and ill health. Julia finds escape in two things: novels, and riding her horse each day. Both things bring her in proximity to Jasper Blunt, the scarred and enigmatic war hero about whom the ton loves to gossip. Although intimidated by him at first, Julia soon finds herself intrigued by the man and the gentle soul he seems to be hiding. When dire circumstances make her life at home untenable, Jasper whisks in and saves her, marries her, and then brings her to his country estate, where Julia finds more secrets lurking on the moors.

This book was a great blend of romance, gothic sensibility, and mystery. Fans of Jane Eyre and The Blue Castle will enjoy this literary romance about two people drawn to each other but haunted by the past. I loved reading about Julia’s journey to owning her life, and to stop letting her parents and society dictate her happiness. In a similar way, Jasper also needs to learn to own his decisions, good or bad, and to make peace with his past in order to embrace the future. This book is full of some delicious romance tropes (marriage of necessity, secret past, children from a past relationship, daring rescues) but they never seem to be overdone or half-baked. I think some savvy readers will be able to guess some of the twists (I did) but that doesn’t take away from the absolute pleasure of this book or the romance between Julia and Jasper. It’s a closed door romance, but still very romantic with plenty of swoony scenes.

Technically, this book is the sequel/companion to the equally delightful The Siren of Sussex, but you don’t need to read the first one to enjoy this book. Some characters carry over, which is always fun! The series follows four young society ladies of London who are also equestrians, and I think it’s a great read alike for fans of Evie Dumore’s League of Extraordinary Women series!

The bookish world is all abuzz for Age of Vice by Deepti Kapoor, which was just chosen as Good Morning America’s next book club pick AND Roxane Gay’s January pick for her book club. What has everyone talking about this novel?

The novel opens in Delhi with a horrible car accident: a speeding Mercedes jumps the curb and five people end up dead. A man named Ajay is arrested and convicted of the crime, but he wasn’t actually the one responsible for the crime.

From there, we follow this sweeping epic to rural India where Ajay grew up. After his father is killed, Ajay’s mother sends him away to earn money so she can pay off his father’s debts. Eventually Ajay works for Sonny, a rich man making a name for himself as a patron of the arts. Ajay is Sonny’s right-hand man, driving him around, serving his guests, and helping sneak Sonny’s secret girlfriend into various hotels.

As the novel unfolds, we eventually get Sonny’s perspective, and he describes how he feels suffocated by his father’s expectations. He is simultaneously haunted by a memory from his past he wishes he could forget. His father and his uncle are rumored to have made their money illegally, but how much is Sonny aware of? And how can he escape his family’s history of sketchy dealings?

These are just two of the many characters that make up this sweeping crime drama full of messy families and complicated love stories. I love a hefty book that I can just settle in with for hours, especially in the winter. All of these characters feel adrift in different ways, each one trying to make a place for themselves in the world, to change their fate, even just a little bit. 

I listened to the audiobook performed by the incredible Vidish Athavale. He created such an incredible mood with his narration. You feel like you are right there beside the characters as they make terrible decision after terrible decision. Athavale uses his performance to create unique voices for each character, no two sounding exactly the same.

If you are looking for a long novel to sweep you off your feet, this is it.

This is an epic young adult best friends space adventure. If you liked the She-Ra and the Princesses of Power reboot, then Victories Greater Than Death might be for you.

Our teen protagonist, Tina, is actually a reincarnation of a phenomenal, brave, beloved alien. Tina is on Earth disguised as an earthling. When the story begins, she is waiting for the rescue beacon inside of her to light up. She knows that she is not an earthling and she knows that there are great plans for her but first, her beacon needs to light up. Once the beacon lights up, there are two things she is expecting to happen. First, the intergalactic space military crew that she belonged to will come searching for her; the plan is that they will bring her back to the spaceship and unlock her memories as the starship captain that she is supposed to be a reincarnation of. The other thing that happens when she lights up, though, is that the murderous terrifying aliens, the ones who killed her in the first place, will also see her beacon light up and immediately try to find her to murder her all over again.

Tina has shared all this information with her best friend, Rachel, and they’ve been waiting for this moment together for years. Rachel is with Tina when Tina’s beacon lights up, and as you can expect, all hell breaks loose.

One of the things I often find myself disappointed in with sci-fi is that some authors still seem stuck within earthling constructs, like binary gender or ways of relating to other beings. Anders does what I have hoped for forever and the non-earthlings are incredibly diverse and wonderful. Everyone introduces themselves with their pronouns including ones beyond the typical pronouns we use here on Earth. There is a wide range of characters who I frequently found myself rooting for. It’s queer and exciting and so much fun. I legitimately had a great time reading this book but remember, it’s the first in a trilogy so buckle in for a ride!

The second book, Dreams Bigger Than Heartbreak, is out now, and the conclusion, Promises Stronger Than Darkness, is slated for an April release.

When I got into TJR’s books in 2022, everyone told me I needed to do Daisy Jones on audio, so I put myself on the epically long waiting list at my library and I am so glad I did! This is the oral history of the fictitious 1970s rock band The Six, and their collaboration with singer and songwriter Daisy Jones that launched them into stratospheric fame. Although the partnership starts purely as a business decision manipulated by their record label, there’s something magnetic about Daisy Jones and her push and pull relationship with The Six’s lead singer Bully Dunne. But behind the scenes, Daisy is popping pills and losing track of her life while Billy is desperately clinging to his sobriety for the sake of his wife and kids. Told from the point of view of the band members, producers, and various people in their lives years later, this story tries to get at the heart of exactly why a band at the very top suddenly fractured.

Typically, I do not find myself particularly drawn to novels that deal with Hollywood or the music scene, or the lives of the very famous. However, Taylor Jenkins Reid draws me in every time because her writing is so good, her characters so compelling, and the structure of her stories are unique or interesting enough to get me wondering how she’ll pull it off. This book is no exception, and I like that we see these events filtered through the eyes of the characters when they’re older, wiser, and a bit more honest with themselves than they were in the moment. It’s fun and interesting to read how Daisy and how The Six all got their separate starts and the winding path that brought them together. And like most stories told from memory, with lots of different people involved, there are inconsistencies in each telling and differing recollections of how things really happened. Nonetheless, the author trusts the reader to sift through what’s important and get to the heart of the story. It’s a book about faith and hope, how perilous loving someone can be, wanting what you can’t have, and reckoning with achieving your dreams beyond your wildest imagination…and realizing that you’re still you.

I truly do recommend the audio experience, with narration from Jennifer Beals, Judy Greer, Pablo Schreiber, Benjamin Bratt, January LaVoy, and a full cast. It really elevates the experience and make it feel like you’re listening to the characters as though they’re real and not fiction. Bonus: The TV show premieres in March, and sneak peeks look amazing!

Razia Mirza grew up in a working class neighborhood of Corona in Queens during the 1980s and ’90s. Her parents immigrated to the United States from Pakistan, finding community with other Pakistani Muslim families. But Razia chafes against her parents’ traditional values, wanting more choices for her life.

With such a close-knit community, there’s plenty of interpersonal drama. But when the drama comes to her family, Razia loses her best friend as the adults argue amongst themselves and refuse to let the girls remain friends. Razia loves school, but the many families in her community question whether girls need school at all. Back in Pakistan, Razia’s mother never received the education that she wanted, so she becomes determined that Razia receive an education.

Eventually, Razia is accepted into a special high school in Manhattan. There, Razia begins to realize there are ways of living that she never even dreamed of, and she begins to wonder what her future might hold. If she doesn’t follow the traditional life of her parents, what might her life have in store?

Razia’s story is an incredible coming-of-age tale of a queer girl discouraged from even thinking of how her life might be different. But there’s also a deep sense of love that she has for family and community. For years, she tries to find a way to have both her family in her life and be true to who she is and the people she loves.

Author Bushra Rehman performs the audiobook with such heart and deeply felt emotion. I listened to the whole novel in a single day — I just couldn’t stop listening! Razia’s character has so much depth. Roses, in the Mouth of the Lion is just a stunning novel all around.

This is the fascinating double story of a horrific cold case, and how a scientific movement solved it and sent waves through the crime-solving community. Naturally, the book begins with the crime: Tanya Van Cuylenborg and Jay Cook were young and in love when they decided to run an errand for Jay’s dad by driving to Seattle from Canada. They got a little lost along the way, but they seemed on track to arrive at their destination…but never did. Nearly a week later, their bodies were discovered miles away from each other with their car in yet another location. They’d both been brutally murdered by two different methods.

This case was rigorously investigated and explored, but the problem was that police had no suspects despite having plenty of physical evidence and DNA. And so the case sat for decades until a cold case detective decided to revive it, and was willing to try all sorts of new methods — including forensic genealogy — to try and find his perpetrator. That’s where Humes begins to really dig into the advent of forensic genealogy. He provides an interesting history in how DNA has been used to solve crimes and shows how it applies to this case.

I think this is a book that anyone who is interested in true crime ought to read, not only because Humes does a really great job of exploring the murders of Tanya and Jay, but also for the consideration of DNA and forensic genealogy and how it’s quickly changed the landscape of solving crimes, particularly cold cases. Everyone has likely heard of how this method was first used to crack the Golden State Killer case, but many might not realize that while it took months of research to find that killer using genealogy, finding Jay and Tanya’s murderer only took two hours. Humes provides an interesting and concise history of this methodology, exploring the ethical and legal ramifications, many of which are still playing out today. Forensic genealogy has the potential to do a lot of good, but, as in any crime case that goes to trial, it also has the potential to be picked apart and thrown out of court, and where does that leave the victims and survivors? There are no easy answers, but there can be a certain amount of closure in discovering the truth, even if justice proves to be a bit more elusive.