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A self-proclaimed “gay feminist harpy since before it was cool,” Tara Thorne is situated somewhere between the sharp-eyed urban commentary of Nora Ephron and ribald cultural analysis of Lindy West. In her debut book of essays, the Halifax-based filmmaker, arts critic, and recovering journalist gives readers her unvarnished take on the films and music that made her a feminist, how the #MeToo reckoning led her to write a misandrist vigilante film, what it’s like being the only woman in a band, and the snarky tweet that made her lose her position as CBC Radio’s arts and culture columnist.