Hey YA Pals!
It wouldn’t be April without a reminder that this is a great month to revisit good ole Billy Shakes. Whether you want to read the original Hamlet or not, know there are tons of amazing YA riffs on Shakespeare that make for great reading now. . . or any time.
Before showcasing a handful of solid picks, I wanted to note that there has been this commentary going around about how during quarantine in his era, Shakespeare used the time to write King Lear. It’s meant, I guess, to motivate you to do something great. But here’s the thing: were Shakespeare in quarantine today, you know he’d be making memes, learning how to TikTok, and generally being enjoyable on social media. His era was a little bit different than ours.
Also, that’d be a Twitter/Instagram/TikTok I’d follow and fast.
Find below some excellent riffs on Shakespeare for YA readers. I’ve read embarrassingly few of these, so descriptions are from the publisher. Some of these might sound familiar if you listened to Hey YA earlier this month, and that’s your sign to grab one and get reading.
Always Never Yours by Emily Wibberley and Austin Siegemund-Broka (Romeo and Juliet)
Megan Harper is the girl before. All her exes find their one true love right after dating her. It’s not a curse or anything, it’s just the way things are. and Megan refuses to waste time feeling sorry for herself. Instead, she focuses on pursuing her next fling, directing theater, and fulfilling her dream school’s acting requirement in the smallest role possible. But her plans quickly crumble when she’s cast as none other than Juliet–yes, that Juliet–in her high school’s production. It’s a nightmare. Megan’s not an actress and she’s certainly not a Juliet. Then she meets Owen Okita, an aspiring playwright who agrees to help Megan catch the eye of a sexy stagehand in exchange for help writing his new script. Between rehearsals and contending with her divided family, Megan begins to notice Owen–thoughtful, unconventional, and utterly unlike her exes, and wonders: shouldn’t a girl get to star in her own love story?
Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.
But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them―for good?
Eyes Like Stars by Lisa Mantchev (Midsummer Night’s Dream and The Tempest)
Welcome to the Théâtre Illuminata, where the characters of every play ever written can be found behind the curtain. The actors are bound to the Théâtre by The Book, an ancient and magical tome of scripts. Bertie is not one of the actors, but they are her family. And she is about to lose them all because The Book has been threatened, and along with it the Théâtre. It’s the only home Bertie has ever known, and she has to find a way to save it. But first, there’s the small problem of two handsome men, both vying for her attention. Nate, a dashing pirate who will do anything to protect Bertie, and Ariel, a seductive air spirit. The course of true love never did run smooth. . . .
Foul Is Fair by Hannah Capin (Macbeth)
Jade and her friends Jenny, Mads, and Summer rule their glittering LA circle. Untouchable, they have the kind of power other girls only dream of. Every party is theirs and the world is at their feet. Until the night of Jade’s sweet sixteen, when they crash a St. Andrew’s Prep party. The night the golden boys choose Jade as their next target.
They picked the wrong girl.
Sworn to vengeance, Jade transfers to St. Andrew’s Prep. She plots to destroy each boy, one by one. She’ll take their power, their lives, and their control of the prep school’s hierarchy. And she and her coven have the perfect way in: a boy named Mack, whose ambition could turn deadly.
If You Come Softly by Jacqueline Woodson (Romeo and Juliet)
Jeremiah feels good inside his own skin. That is, when he’s in his own Brooklyn neighborhood. But now he’s going to be attending a fancy prep school in Manhattan, and black teenage boys don’t exactly fit in there. So it’s a surprise when he meets Ellie the first week of school. In one frozen moment their eyes lock, and after that they know they fit together–even though she’s Jewish and he’s black. Their worlds are so different, but to them that’s not what matters. Too bad the rest of the world has to get in their way.
Trixie Watson has two very important goals for senior year: to finally save enough to buy the set of Doctor Who figurines at the local comic books store, and to place third in her class and knock Ben West–and his horrendous new mustache that he spent all summer growing—down to number four.
Trixie will do anything to get her name ranked over Ben’s, including give up sleep and comic books—well, maybe not comic books—but definitely sleep. After all, the war of Watson v. West is as vicious as the Doctor v. Daleks and Browncoats v. Alliance combined, and it goes all the way back to the infamous monkey bars incident in the first grade. Over a decade later, it’s time to declare a champion once and for all.
The war is Trixie’s for the winning, until her best friend starts dating Ben’s best friend and the two are unceremoniously dumped together and told to play nice. Finding common ground is odious and tooth-pullingly-painful, but Trixie and Ben’s cautious truce slowly transforms into a fandom-based tentative friendship. When Trixie’s best friend gets expelled for cheating and Trixie cries foul play, however, they have to choose who to believe and which side they’re on—and they might not pick the same side.
Melanie and Damon are both living in the shadow of loss. For Melanie, it’s the loss of her larger-than-life artist mother, taken by cancer well before her time. For Damon, it’s the loss of his best friend, Carlos, who took his own life.
As they struggle to fill the empty spaces their loved ones left behind, fate conspires to bring them together. Damon takes pictures with Carlos’s camera to try to understand his choices, and Melanie begins painting as a way of feeling closer to her mother. But when the two join their school’s production of Othello, the play they both hoped would be a distraction becomes a test of who they truly are, both together and on their own. And more than anything else, they discover that it just might be possible to live their lives without completely letting go of their sadness.
Thanks for hanging out, and we’ll see you again later this week!
— Kelly Jensen, @heykellyjensen on Instagram and editor of Body Talk, (Don’t) Call Me Crazy, and Here We Are