Author: Kendra Winchester

Lyz Lenz grew up in a conservative evangelical family and believed that if she did everything that she was told a “good” woman should do — stay “pure” until marriage, get married and obey her husband, have kids, etc. —that everything would work out for the best. But that’s not how her life went. Lenz writes how she was intensely unhappy in her marriage, and she stayed for all the wrong reasons. But once she got divorced and started life as a single mom, she found freedom. As Lenz tells us her story, she also includes research on divorce in America, asking why it is that 70% of divorces are instigated by women? And why are women pushed to get married in the first place? Lenz also launched a podcast to promote the book, which will give you a preview of the many different ideas that she presents in it.

And for our backlist nature writing title, we’re exploring the landscape of Taiwan. Jessica J. Lee’s mother immigrated from Taiwan to Canada, but Lee grew up knowing little about her mother’s family or their past. In her memoir, Lee travels back to Taiwan to learn more about how her mother’s family fled mainland China for Taiwan. Lee blends nature writing about the island along with her investigation into Taiwan’s history. She describes the unique animals and plant species that call the island their home. By researching her grandparents’ and great-grandparents’ lives, she learns more about her own origin story, better understanding herself along the way.

Saidiya Hartman writes incredibly beautiful prose. She describes the lives of young, urban Black women as they go about their lives. Hartman wanted to tell the story of the Black women she read about who were mentioned in passing or who appeared unnamed in photographs. She investigates their lives, researches their pasts, and invites readers to bear witness to these women all too often lost from history. This book is incredibly captivating and intricately crafted. I found myself mesmerized while wandering through the past.

I’ve read a lot of Leslie Jamison’s essays. Her sentences are incredibly well crafted, and her narrative voice draws me in like few others. So when I saw she had a full-length memoir/contemplation of the nature of alcoholism and art, I knew I had to read it. In The Recovering, she describes her experience with alcoholism, her slow acceptance that she needed to get sober, and the understanding that she couldn’t do it on her own. She examines so many moving parts; I wondered how she would stick the landing. But she does. And like so much of her writing that has stayed with me, The Recovering will as well.

From the first essay that I listened to Irby read, I knew she was going to be one of my favorite writers. Her essays are hilarious but still filled with more serious topics, like growing up with a disabled mom and a dad who died far too soon. Yes, Irby uses humor to cope with the difficult things, but she also uses humor to express the bright spots in her life. She describes meeting her wife and falling in love with such tenderness and laugh-out-loud anecdotes.

I love movies and TV. There’s just something about watching a story that taps into universal feelings that we all hold close to our chest. But I also love essays, so when I heard Lindy West had an essay collection all about modern cinema, I downloaded that audiobook so fast. And Sh*t, Actually is a delight. West is known for her over-the-top way of expressing herself, which lends itself to writing about movies. I laughed so much. I can’t recommend it enough if you just need something ridiculous (in the absolute best possible way) to read/listen to as a pick-me-up.

Now that bell hooks’ backlist has been turned into audiobooks, I’m finally getting the chance to read them for the first time. My latest pick is Ain’t I A Woman, which pulls together a lot of hooks’ early writing about how white feminists and the Black men of the Civil Rights Movement ignore the intersectional experience of Black women. bell hooks reiterates over and over that as people who live with both sexism and racism, Black women’s experiences are unique. As hooks describes at the end of her book, a truly inclusive feminist movement is an intersectional one.

Mikki Kendall discusses how modern-day feminist movements have huge gaps in their organizing efforts. Kendall argues that feminism, particularly white feminism, fails to address issues like food insecurity, safe housing, disability, access to education, and the ability to earn a living wage. Each essay discusses a different area that modern feminism could improve upon, providing an intersectional approach to her writing. Kendall makes so many incredible points as she calls out feminism’s weaknesses and the areas where it could improve. If feminism is to continue to improve the lives of women, it must evolve.

In her short collection of essays, queer Singaporean author Tania De Rozario shares her experience growing up as a fat, biracial girl during a time when Singapore required children with a “high” BMI to participate in food restriction and extra exercise. Much of the novel follows De Rozario as she begins her journey of self-acceptance, embracing her body and sexuality as they are, not as society tells her they should be.

Editor Mariam Khan has gathered together a stunning group of Muslim women writers who all share their experiences. In 2016, Mariam Khan heard David Cameron had linked the radicalization of Muslim men to the “traditional submissiveness” of Muslim women. Appalled, Khan decided to push back with a collection of essays of Muslim women from around the world. They discuss issues around family, marriage, sex, gender, and so much more. This is such an incredible collection with so many different views and perspectives. A must-read for any nonfiction lover.

Cartoonist Kate Beaton heads to western Canada to work in the oil sands, taking advantage of the oil rush to help her save money so she can more fully dedicate herself to her art. But out west, she’s confronted with the harsh realities of working in the small communities popping up because of the oil industry. In these sort of episodic-like snippets, she gives readers a behind-the-scenes look at her life, pointing out the many issues — sexism and violence towards women in particular — that are common in these communities.

I discovered Persepolis, a modern classic of the genre, during one of my very first Women In Translation Month celebrations. This graphic memoir follows Marjane Satrapi through the Iranian Revolution and her flight to France. She goes to school in Paris for a few years, but eventually, she returns home to Iran. She finds it completely changed. Satrapi’s illustrations capture your attention from the first page, and her memoir is a testament to her love of Persian culture and the grief she experiences as she can no longer live in her home country.

There’s a reason this book is much beloved. The way Kimmerer writes about the natural world just sweeps you off your feet. You are there in the water with her, trying to save her pond from being reclaimed by the land, or you are right beside her as she leads dozens of students out into nature on a guided hike. Kimmerer, a member of the Citizen Potawatomi Nation, also discusses her Native Nation’s culture around plants and the traditional practices she was taught by her elders that help care for the land. She investigates these traditions and discusses how these practices work from a scientist’s perspective.

Essayist Margaret Renkl is back with a beautiful book all about a year in her backyard. Each week, she writes about her world as she sees it. Maybe she writes about the many birds who come to eat from her bird feeders. Or maybe she tells us about the tadpoles that she kept in a tank, going so far as to order them special plants. The book itself, the physical object in your hands, is stunning. Her husband, Billy Renkl, has created vibrant, full-color illustrations for each chapter. And if you’re an audiobook fan, you’ll love her performance, complete with her beautiful Southern accent describing the plants and animals with which she shares her home.