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In Reading Color

A Book Is Pulled by the Publisher and New Releases for Your Tuesday

Welcome to In Reading Color, a space where we focus on literature by and about people of color.

There’s been a lot of talk the past few days about a book that was published called Bad and Boujee: Toward a Trap Feminist Theology. It claims to be an exploration of the intersection of feminism, hip hop culture, and the Black experience and has a cover that features a Black woman with an afro (and glowing skin!). Sounds kind of interesting, right? Well, the reason it’s been getting attention is because it was written by a white female professor. After podcaster Jo Luehmann asked Jennifer M. Buck, the author, β€œCan you help me understand how you are qualified to write this book?” others began to question Buck’s authority on writing on the topic as well. The backlash ultimately resulted in the publisher pulling the book from public distribution.

The conversation around the book has also lead to the question of who can write about what. There are many who say you can write about whatever you want, and I would agree, but with a disclaimer. If you’re from a group that has traditionally held power in the area of the world you’re in and you want to write about the experiences of a group that has been disadvantaged, then I think you should proceed very cautiously. If you don’t, you run the very real risk of adding to the narrative that most likely exists that has helped oppress the marginalized group. Sensitivity readers exist for a reason, after all, and I have the impression that they weren’t consulted (or listened to) for Buck’s book. I also suspect that the author might have been hoping to tap into some of Hood Feminism‘s success. Either way, Buck made a choice to write about a very specific intersectional group and didn’t seem to be open to questions about her work or to adequately appreciate the person who coined the term she centered her book around. If you can’t stand by your work and engage with constructive criticism, should you have written it in the first place?

Before we get to some books, I’ll leave you with the first sentence of Buck’s book, which Roxane Gay had some thoughts on. 🍡

A Few New Releases

Viola Davis - Finding Me Cover

Finding Me by Viola Davis

I remember seeing Viola Davis here and there in supporting roles in movies and TV shows before I noticed people recognizing her as one of the great actors of our time. She calls these roles “best friends to white women roles” in this memoir and tells how she had to do a string of them at one point due to a lack of other roles. Before she was even able to act, though, she was a child born on the South Carolinian plantation on which her grandparents were sharecroppers, and one who grew up poor in Rhode Island. She gets real about all that entailed. Really real. Like, abusive, alcoholic father and wetting the bed so much that you went to school smelling of urine real. She was a traumatized, misunderstood girl who suffered the effects of dire poverty as well as racism, but who was also inspired to pursue a dream by seeing someone who looked like her on TV. Through her memoir, Davis shows the importance of rejecting the narrative others paint around you, being honest, and letting go of shame in order to live authentically.

Also, if you follow Oprah’s book club, she’s made it a book club pick.

Kaikeyi by Vaishnavi Patel cover

Kaikeyi by Vaishnavi Patel

This is another retelling that reimagines the motivations for certain figures in mythology a la Circe. Although I’m not as familiar with the Indian mythology from the epic poem the Ramayana as I was with Ancient Greek mythology when I read Circe, I’m always here for female characters being reexamined. Here, Kaikeyi is raised on stories of gods and their benevolence only to have that dashed by the reality of her father banishing her mother and her own reduction to a thing to be married off and bear children. One day she learns of a magic she has that allows her to transforms herself into a warrior, thereby creating a space for independence for herself and hopefully other women in the kingdom.

She decides to become the third wife of King Dasharath’s on the promise that her son will inherit the throne instead of the rightful heir. Now, Kaikeyi isn’t really known as a hero in the epic poem, as she was the one to encourage the king to exile his son, the true heir Rama, for fourteen years. Instead of her reasons being to keep her own son on the throne, Patel shows that Kaikeyi, whom Rama addresses affectionally, only wished to teach the young prince the downfalls of patriarchy and was trying to establish balance for her kingdom to benefit all citizens.

cover of The Fervor by Alma Katsu; photo of a woman with long dark hair looking away into the distance at a guard tower, image is tinted red

The Fervor by Alma Katsu

I just finished reading all of the manga that the Demon Slayer anime hasn’t adapted yet *sobs in book hangover*, and I’m caught up on the Jujutsu Kaisen manga. I say all that to say that I’m super into Japanese folklore, especially as it relates to demons, or the yokai, as this book does. Instead of taking place in Japan, as the manga I mentioned do, The Fervor takes place in the U.S. in 1944 as the U.S. government is imprisoning citizens of Japanese descent for simply being Japanese. Meiko and her daughter Aiko are forcibly removed from Seattle and sent to one of the internment camps in the Midwest. There, a mysterious disease starts to take hold. Suddenly, simple colds turn into aggression that can become lethal. The group of doctors that arrive to investigate provide the opposite of comfort and assurance, so Meiko and her daughter join forces with a reporter and a widower to find out exactly what is happening around them. There is a demon that Meiko learned about from childhood stories clawing its way onto her plane of existence, but there is also the already existing evils of racism and anti-Asian discrimination that the U.S. government displays on its own.

More New Releases

Children’s

The Second Chance of Benjamin Waterfalls by James Bird cover

The Second Chance of Benjamin Waterfalls by James Bird

Always with You, Always with Me by Kelly Rowland and Jessica McKay, illustrate by Fanny Liem

Zara’s Rules for Record-Breaking Fun by Hena Khan 

Young Adult

Queen of the Tiles by Hanna Alkaf cover

Queen of the Tiles by Hanna Alkaf 

My Sister’s Big Fat Indian Wedding by Sajni Patel

The Genesis Wars by Akemi Dawn Bowman

Adult

the memory librarian book cover

The Memory Librarian by Janelle Monáe

Fevered Star by Rebecca Roanhorse

Forbidden City by Vanessa Hua

Part of Your World by Abby Jimenez

Never Cross a Highlander by Lisa Rayne 

Such Big Dreams by Reema Patel

When We Fell Apart by Soon Wiley

Don’t forget you can get three free audiobooks at Audiobooks.com with a free trial!

A Little Sumn Extra

LeVar Burton to host the next National Spelling Bee (!!)

Here are the winners of the LA Times Book Prizes

Dawnie Walton wins the Aspen Words Literary Prize for The Final Revival of Opal & Nev

How one district is pushing back against book banning

How familiar are you with Rumi?

Some of the best books on ancient Egyptian mythology


Thanks for reading; it’s been cute! If you want to reach out and connect, email me at erica@riotnewmedia.com or tweet at me @erica_eze_. You can find me on the Hey YA podcast with the fab Tirzah Price, as well as in the In The Club newsletter.

Until next time,

-E